At long last, Hazel and her star-crossed family arefinally back, and they've made some new...friends? This collectionfeatures the latest six chapters of the most epic adventure in comics, includingthe series' double-sized first issue back fromhiatus. CollectsSAGA #55-60
At long last, Hazel and her star-crossed family arefinally back, and they've made some new...friends? This collectionfeatures the latest six chapters of the most epic adventure in comics, includingthe series' double-sized first issue back fromhiatus. CollectsSAGA #55-60
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14 books in catalog
Creator-owned comic series such as Saga have redefined modern speculative fiction by combining sweeping space opera with intimate family drama. Brian K. Vaughan has written and co-created several of the comic industry's most acclaimed series, including Y: The Last Man, Paper Girls, Ex Machina, and Runaways. Recognized with multiple Eisner, Hugo, and Harvey Awards, his expansive body of work spans mainstream superhero titles for Marvel and DC Comics as well as original independent graphic novels.
Born on July 17, 1976, in Cleveland, Ohio, Brian Keller Vaughan attended New York University to study filmmaking. While enrolled at NYU, he broke into the comic book industry after editors from Marvel Comics visited the university and reviewed his writing submissions. Vaughan quickly began writing scripts for major superhero titles across both Marvel and DC Comics, including stories featuring Batman and the X-Men.
Vaughan later shifted his primary focus toward creator-owned series, earning wide critical recognition for original titles such as Y: The Last Man, Ex Machina, and Pride of Baghdad. In addition to his graphic fiction, he served as a writer, story editor, and producer on the television series Lost during seasons three through five, earning Writers Guild of America Award nominations in 2008 and 2009 for Best Dramatic Series. He lives in California, where he continues to write comic books and work on television projects.
Vaughan's writing is distinguished by high-concept speculative premises, sharp dialogue, complex character relationships, and frequent dramatic cliffhangers. His stories regularly explore themes of family, political authority, mortality, personal duty, and survival in extraordinary circumstances. By collaborating closely with artists, he constructs visually immersive worlds that balance large-scale narrative stakes with personal, character-driven subplots.
14 books in catalog
Creator-owned comic series such as Saga have redefined modern speculative fiction by combining sweeping space opera with intimate family drama. Brian K. Vaughan has written and co-created several of the comic industry's most acclaimed series, including Y: The Last Man, Paper Girls, Ex Machina, and Runaways. Recognized with multiple Eisner, Hugo, and Harvey Awards, his expansive body of work spans mainstream superhero titles for Marvel and DC Comics as well as original independent graphic novels.
Born on July 17, 1976, in Cleveland, Ohio, Brian Keller Vaughan attended New York University to study filmmaking. While enrolled at NYU, he broke into the comic book industry after editors from Marvel Comics visited the university and reviewed his writing submissions. Vaughan quickly began writing scripts for major superhero titles across both Marvel and DC Comics, including stories featuring Batman and the X-Men.
Vaughan later shifted his primary focus toward creator-owned series, earning wide critical recognition for original titles such as Y: The Last Man, Ex Machina, and Pride of Baghdad. In addition to his graphic fiction, he served as a writer, story editor, and producer on the television series Lost during seasons three through five, earning Writers Guild of America Award nominations in 2008 and 2009 for Best Dramatic Series. He lives in California, where he continues to write comic books and work on television projects.
Vaughan's writing is distinguished by high-concept speculative premises, sharp dialogue, complex character relationships, and frequent dramatic cliffhangers. His stories regularly explore themes of family, political authority, mortality, personal duty, and survival in extraordinary circumstances. By collaborating closely with artists, he constructs visually immersive worlds that balance large-scale narrative stakes with personal, character-driven subplots.
Saga
Saga