The night on which Sir Monmouth returns to England from Penang is not auspicious. The Cross Keys Inn provides shelter, but offers few comforts. The pale boy, the old woman and the mist in the mirror - do they have any reality beyond his imagination?
The night on which Sir Monmouth returns to England from Penang is not auspicious. The Cross Keys Inn provides shelter, but offers few comforts. The pale boy, the old woman and the mist in the mirror - do they have any reality beyond his imagination?
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Find The Mist in the Mirror Susan Hill in PDF, EPUB, ebook, audiobook, print, or library editions.
Find The Mist in the Mirror Susan Hill in PDF, EPUB, ebook, audiobook, print, or library editions.
2 books in catalog
Atmospheric horror, psychological tension, and traditional ghost story techniques define one of British literature's most enduring supernatural novels, The Woman in Black (1983). English author Susan Hill created this iconic gothic story of Arthur Kipps and the haunting phantom of Eel Marsh House, which subsequently achieved widespread fame through long-running West End stage adaptations and feature films. Alongside her ghost fiction, Susan Hill has written across multiple literary forms including crime fiction, children's books, historical novels, and non-fiction memoirs over a career spanning more than five decades.
From early award-winning fiction to the acclaimed Simon Serrailler crime mystery series and haunting chillers such as The Mist in the Mirror (1992), Hill's extensive bibliography reflects a deep engagement with themes of isolation, grief, human morality, and the psychological impact of trauma. Her versatile literary contributions encompass tragic war fiction, delicate children's tales, personal memoirs, and editorial anthologies, establishing her as a major presence in contemporary British writing.
Susan Elizabeth Hill was born in Scarborough, England, on 5 February 1942. Her early years by the North Yorkshire coast inspired many setting details in her future writing. She was educated at Scarborough Convent School and later attended grammar school in Coventry when her family relocated. In 1960, she entered King's College, London, to read English, publishing her debut novel, The Enclosure, in 1961 during her first year of undergraduate study. She completed her degree at King's College, London, graduating in 1963, and was later elected a Fellow of the institution in 1978.
Between 1963 and 1968, Hill worked as a freelance journalist while continuing her creative work, publishing her third novel, Gentleman and Ladies, in 1968. Her literary recognition grew rapidly as she earned several major British literary honors: she won a Somerset Maugham Award for I'm the King of the Castle (1970), the Mail on Sunday/John Llewellyn Rhys Prize for her short story collection The Albatross (1971), and the Whitbread Novel Award for The Bird of Night (1972). In recognition of her distinguished output, she became a Fellow of the Royal Society of Literature in 1972.
Throughout the following decades, Hill expanded her creative activities across broadcast media and publishing. She served as the presenter of BBC Radio 4's 'Bookshelf' program from 1986 to 1987. In 1996, she founded her own independent publishing imprint, Long Barn Books, through which she edited and published the quarterly literary journal Books and Company starting in 1998. In her personal life, Hill married Shakespeare scholar Professor Stanley Wells, with whom she had children. After spending many years living in rural Oxfordshire during the 1970s, she moved back toward the sea to North Norfolk in 2013.
Hill's writing style is noted for its precise prose, evocative setting building, and keen psychological insight into human vulnerability. Her narratives frequently examine the emotional fallout of bereavement, social isolation, childhood cruelty, and the uncanny presence of past traumas. In works like Strange Meeting (1971), set during the First World War, and In the Springtime of the Year (1974), she explores grief and companionship with restrained emotional nuance. Her non-fiction works, such as The Magic Apple Tree: A Country Year (1982) detailing her life in Oxfordshire and Family (1989) exploring her early life in Scarborough, demonstrate her reflective personal perspective.
In her ghost fiction, including The Woman in Black (1983) and The Mist in the Mirror (1992), Hill draws skillfully on classical nineteenth-century Victorian ghost story conventions, utilizing fog, isolated manor houses, and persistent apparitions to generate dread. She extended her stylistic range into crime fiction through her popular Simon Serrailler mystery novels, as well as children's fiction such as The Glass Angels (1991), Beware, Beware (1993), King of Kings (1993), and The Battle for Gullywith (2008). Additionally, she edited two volumes of The Penguin Book of Modern Women's Short Stories in 1991 and 1997, and published short story collections such as Farthing House: And Other Stories (2006) and standalone fiction such as Mrs de Winter (1999) and Black Sheep (2013).
2 books in catalog
Atmospheric horror, psychological tension, and traditional ghost story techniques define one of British literature's most enduring supernatural novels, The Woman in Black (1983). English author Susan Hill created this iconic gothic story of Arthur Kipps and the haunting phantom of Eel Marsh House, which subsequently achieved widespread fame through long-running West End stage adaptations and feature films. Alongside her ghost fiction, Susan Hill has written across multiple literary forms including crime fiction, children's books, historical novels, and non-fiction memoirs over a career spanning more than five decades.
From early award-winning fiction to the acclaimed Simon Serrailler crime mystery series and haunting chillers such as The Mist in the Mirror (1992), Hill's extensive bibliography reflects a deep engagement with themes of isolation, grief, human morality, and the psychological impact of trauma. Her versatile literary contributions encompass tragic war fiction, delicate children's tales, personal memoirs, and editorial anthologies, establishing her as a major presence in contemporary British writing.
Susan Elizabeth Hill was born in Scarborough, England, on 5 February 1942. Her early years by the North Yorkshire coast inspired many setting details in her future writing. She was educated at Scarborough Convent School and later attended grammar school in Coventry when her family relocated. In 1960, she entered King's College, London, to read English, publishing her debut novel, The Enclosure, in 1961 during her first year of undergraduate study. She completed her degree at King's College, London, graduating in 1963, and was later elected a Fellow of the institution in 1978.
Between 1963 and 1968, Hill worked as a freelance journalist while continuing her creative work, publishing her third novel, Gentleman and Ladies, in 1968. Her literary recognition grew rapidly as she earned several major British literary honors: she won a Somerset Maugham Award for I'm the King of the Castle (1970), the Mail on Sunday/John Llewellyn Rhys Prize for her short story collection The Albatross (1971), and the Whitbread Novel Award for The Bird of Night (1972). In recognition of her distinguished output, she became a Fellow of the Royal Society of Literature in 1972.
Throughout the following decades, Hill expanded her creative activities across broadcast media and publishing. She served as the presenter of BBC Radio 4's 'Bookshelf' program from 1986 to 1987. In 1996, she founded her own independent publishing imprint, Long Barn Books, through which she edited and published the quarterly literary journal Books and Company starting in 1998. In her personal life, Hill married Shakespeare scholar Professor Stanley Wells, with whom she had children. After spending many years living in rural Oxfordshire during the 1970s, she moved back toward the sea to North Norfolk in 2013.
Hill's writing style is noted for its precise prose, evocative setting building, and keen psychological insight into human vulnerability. Her narratives frequently examine the emotional fallout of bereavement, social isolation, childhood cruelty, and the uncanny presence of past traumas. In works like Strange Meeting (1971), set during the First World War, and In the Springtime of the Year (1974), she explores grief and companionship with restrained emotional nuance. Her non-fiction works, such as The Magic Apple Tree: A Country Year (1982) detailing her life in Oxfordshire and Family (1989) exploring her early life in Scarborough, demonstrate her reflective personal perspective.
In her ghost fiction, including The Woman in Black (1983) and The Mist in the Mirror (1992), Hill draws skillfully on classical nineteenth-century Victorian ghost story conventions, utilizing fog, isolated manor houses, and persistent apparitions to generate dread. She extended her stylistic range into crime fiction through her popular Simon Serrailler mystery novels, as well as children's fiction such as The Glass Angels (1991), Beware, Beware (1993), King of Kings (1993), and The Battle for Gullywith (2008). Additionally, she edited two volumes of The Penguin Book of Modern Women's Short Stories in 1991 and 1997, and published short story collections such as Farthing House: And Other Stories (2006) and standalone fiction such as Mrs de Winter (1999) and Black Sheep (2013).
