A NETFLIX BOOK CLUB PICK Nella Larsen's powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today. A New York Times Editors’ Choice. Now a major motion picture starring Tessa Thompson and Alexander Skarsgård Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to “pass” as a white woman. Clare’s childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare’s risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare’s interest in Irene turns into a homoerotic longing for Irene’s black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling. This edition features a new introduction by Emily Bernard and notes by Thadious M. Davis. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A NETFLIX BOOK CLUB PICK Nella Larsen's powerful, thrilling, and tragic tale about the fluidity of racial identity that continues to resonate today. A New York Times Editors’ Choice. Now a major motion picture starring Tessa Thompson and Alexander Skarsgård Clare Kendry is living on the edge. Light-skinned, elegant, and ambitious, she is married to a racist white man unaware of her African American heritage, and has severed all ties to her past after deciding to “pass” as a white woman. Clare’s childhood friend, Irene Redfield, just as light-skinned, has chosen to remain within the African American community, and is simultaneously allured and repelled by Clare’s risky decision to engage in racial masquerade for personal and societal gain. After frequenting African American-centric gatherings together in Harlem, Clare’s interest in Irene turns into a homoerotic longing for Irene’s black identity that she abandoned and can never embrace again, and she is forced to grapple with her decision to pass for white in a way that is both tragic and telling. This edition features a new introduction by Emily Bernard and notes by Thadious M. Davis. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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2 books in catalog
The literary movement of the Harlem Renaissance was profoundly shaped by pioneering novels exploring complex questions of race, class, and female identity in early twentieth-century America. Nella Larsen emerged as an essential voice of this era through her groundbreaking debut novel Quicksand, which drew directly upon her biracial background to examine the social isolation of mixed-race women.
Born Nellie Walker in Chicago on April 13, 1891, to a Danish mother and a Afro-Caribbean father, Larsen spent her early childhood navigating complicated family dynamics after her father's early death and her mother's remarriage to a white Danish man. She attended high school associated with Fisk University before auditing classes at the University of Copenhagen, eventually earning a nursing degree from Lincoln Hospital and a library science certificate from the New York Public Library.
After settling in New York City, Larsen worked as a nurse and librarian before turning her focus to fiction. Her entry into Harlem's literary circles gained rapid momentum in the late 1920s when she published short stories and her two celebrated novels, Quicksand in 1928 and Passing in 1929. Passing examined two light-skinned Black women whose diverging choices regarding racial identity highlighted the profound social and emotional consequences of crossing color lines in segregated America.
Despite earning critical praise and becoming the first African American woman awarded a Guggenheim Fellowship for creative writing in 1930, Larsen stepped away from public literary life following plagiaristic accusations surrounding a short story and the dissolution of her marriage to Elmer Imes. She returned to nursing in New York City hospitals, where she worked quietly until her death on March 30, 1964. Decades later, her works experienced a major critical revival as scholars reclaimed her pivotal contributions to modernist fiction.
Larsen's narrative approach is distinguished by psychological realism, emotional restraint, and acute observation of social mobility. Her stories center on biracial protagonists caught between white and Black worlds, detailing the marginalization and internal displacement resulting from rigid racial definitions. Rather than offering simplified resolutions, her work exposes the psychological pressure, desire, and anxiety experienced by middle-class Black women navigating early twentieth-century society.
2 books in catalog
The literary movement of the Harlem Renaissance was profoundly shaped by pioneering novels exploring complex questions of race, class, and female identity in early twentieth-century America. Nella Larsen emerged as an essential voice of this era through her groundbreaking debut novel Quicksand, which drew directly upon her biracial background to examine the social isolation of mixed-race women.
Born Nellie Walker in Chicago on April 13, 1891, to a Danish mother and a Afro-Caribbean father, Larsen spent her early childhood navigating complicated family dynamics after her father's early death and her mother's remarriage to a white Danish man. She attended high school associated with Fisk University before auditing classes at the University of Copenhagen, eventually earning a nursing degree from Lincoln Hospital and a library science certificate from the New York Public Library.
After settling in New York City, Larsen worked as a nurse and librarian before turning her focus to fiction. Her entry into Harlem's literary circles gained rapid momentum in the late 1920s when she published short stories and her two celebrated novels, Quicksand in 1928 and Passing in 1929. Passing examined two light-skinned Black women whose diverging choices regarding racial identity highlighted the profound social and emotional consequences of crossing color lines in segregated America.
Despite earning critical praise and becoming the first African American woman awarded a Guggenheim Fellowship for creative writing in 1930, Larsen stepped away from public literary life following plagiaristic accusations surrounding a short story and the dissolution of her marriage to Elmer Imes. She returned to nursing in New York City hospitals, where she worked quietly until her death on March 30, 1964. Decades later, her works experienced a major critical revival as scholars reclaimed her pivotal contributions to modernist fiction.
Larsen's narrative approach is distinguished by psychological realism, emotional restraint, and acute observation of social mobility. Her stories center on biracial protagonists caught between white and Black worlds, detailing the marginalization and internal displacement resulting from rigid racial definitions. Rather than offering simplified resolutions, her work exposes the psychological pressure, desire, and anxiety experienced by middle-class Black women navigating early twentieth-century society.
