

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.
Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.
Add to your library to track progress and write reviews
Add to your library to track progress and write reviews
Find Oryx and Crake Margaret Atwood in PDF, EPUB, ebook, audiobook, print, or library editions.
Find Oryx and Crake Margaret Atwood in PDF, EPUB, ebook, audiobook, print, or library editions.
MaddAddam
MaddAddam
14 books in catalog
Speculative fiction and dystopian literature found one of their defining contemporary anchors in the 1985 novel The Handmaid's Tale, a narrative exploring totalitarian control, bodily autonomy, and societal resistance. Margaret Atwood developed the novel using exclusively real-world historical precedents, constructing a grounded examination of religious authoritarianism.
Her extensive bibliography spans more than fifty books of fiction, poetry, literary criticism, non-fiction, and graphic novels published in over forty-five countries. Beyond dystopias, Atwood's fiction encompasses psychological realism, historical re-examinations, and speculative visions of environmental and technological crisis.
Born in Ottawa, Ontario, in 1939, Atwood grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College at Harvard University. She began publishing poetry in the 1960s before establishing her prose fiction career with early novels such as Surfacing and Cat's Eye, which was shortlisted for the Booker Prize.
Her international reach expanded with historical fiction such as Alias Grace, which won Canada's Giller Prize and Italy's Premio Mondello. In 2000, Atwood won the Booker Prize for The Blind Assassin. She returned to speculative fiction with Oryx and Crake, shortlisted for the Booker Prize in 2003, which initiated her MaddAddam trilogy. In 2019, Atwood published The Testaments, a sequel to The Handmaid's Tale that became a co-winner of the Booker Prize. Alongside her writing, she has taught as a university professor, written literary commentary, and advocated for environmental protection while residing in Toronto.
Atwood's writing is characterized by stylistic precision, satirical irony, and formal experimentation. A recurring focus across her work is the examination of gender, power dynamics, institutional control, and human survival within shifting social environments. She frequently uses complex narrative frames, historical documents, and multi-layered perspectives to question cultural myths and recorded histories.
Her non-fiction writing, including Burning Questions: Essays and Occasional Pieces, 2004 to 2021, demonstrates her active interest in climate change, civil liberties, and the social role of art. Whether writing speculative fiction, historical drama, or critical prose, Atwood relies on extensive research and sharp observation to examine contemporary ethics.
14 books in catalog
Speculative fiction and dystopian literature found one of their defining contemporary anchors in the 1985 novel The Handmaid's Tale, a narrative exploring totalitarian control, bodily autonomy, and societal resistance. Margaret Atwood developed the novel using exclusively real-world historical precedents, constructing a grounded examination of religious authoritarianism.
Her extensive bibliography spans more than fifty books of fiction, poetry, literary criticism, non-fiction, and graphic novels published in over forty-five countries. Beyond dystopias, Atwood's fiction encompasses psychological realism, historical re-examinations, and speculative visions of environmental and technological crisis.
Born in Ottawa, Ontario, in 1939, Atwood grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College at Harvard University. She began publishing poetry in the 1960s before establishing her prose fiction career with early novels such as Surfacing and Cat's Eye, which was shortlisted for the Booker Prize.
Her international reach expanded with historical fiction such as Alias Grace, which won Canada's Giller Prize and Italy's Premio Mondello. In 2000, Atwood won the Booker Prize for The Blind Assassin. She returned to speculative fiction with Oryx and Crake, shortlisted for the Booker Prize in 2003, which initiated her MaddAddam trilogy. In 2019, Atwood published The Testaments, a sequel to The Handmaid's Tale that became a co-winner of the Booker Prize. Alongside her writing, she has taught as a university professor, written literary commentary, and advocated for environmental protection while residing in Toronto.
Atwood's writing is characterized by stylistic precision, satirical irony, and formal experimentation. A recurring focus across her work is the examination of gender, power dynamics, institutional control, and human survival within shifting social environments. She frequently uses complex narrative frames, historical documents, and multi-layered perspectives to question cultural myths and recorded histories.
Her non-fiction writing, including Burning Questions: Essays and Occasional Pieces, 2004 to 2021, demonstrates her active interest in climate change, civil liberties, and the social role of art. Whether writing speculative fiction, historical drama, or critical prose, Atwood relies on extensive research and sharp observation to examine contemporary ethics.