This is a story set in a post-apocalyptic future. The Cold War progressed until it was too complicated for humans to manage, so the three major superpowers each developed a computer program to help run the war. When one of the programs becomes sentient it eliminates all of the human race except five persons, which it tortures for eternity.
This is a story set in a post-apocalyptic future. The Cold War progressed until it was too complicated for humans to manage, so the three major superpowers each developed a computer program to help run the war. When one of the programs becomes sentient it eliminates all of the human race except five persons, which it tortures for eternity.
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5 books in catalog
Speculative fiction gained one of its most prolific and influential short-form creators through a body of work spanning over 1,700 short stories, novellas, essays, screenplays, and teleplays. Harlan Ellison reshaped modern science fiction, dark fantasy, and horror with visceral prose and provocative themes, earning wide recognition for iconic works such as I Have No Mouth and I Must Scream.
Through landmark anthologies, groundbreaking short fiction, and acclaimed television scripts, Ellison asserted a powerful presence across print and visual media. His career left a lasting mark on genre literature, bringing fierce creative independence and challenging ethical dilemmas to speculative storytelling.
Born on May 27, 1934, in Cleveland, Ohio, Harlan Jay Ellison was raised in Ohio and attended Ohio State University for eighteen months before leaving following a dispute with a creative writing professor. He published his earliest fiction during the 1950s, launching his professional literary output with short stories and early collections such as The Deadly Streets in 1958. Ellison expanded his reach into screenwriting during the 1960s and 1970s, contributing memorable scripts for network television while maintaining a relentless pace in short fiction. He famously wrote stories live in bookstore display windows across major cities including Paris, London, New York, and Los Angeles to demonstrate the public craft of fiction writing.
Over a career spanning more than four decades, Ellison earned numerous prestigious honors, including eight and a half Hugo Awards, three Nebula Awards, and six Bram Stoker Awards, alongside a Bram Stoker Lifetime Achievement Award from the Horror Writers Association. In addition to his single-author collections and critical essays, he served as a creative consultant for television series such as Babylon 5. He continued writing, editing, and commenting on contemporary media until his death on June 28, 2018.
Ellison's prose is distinguished by intense emotional energy, rapid cadence, and a sharp focus on human moral fragility under extreme conditions. Rather than confining his writing strictly to hard science fiction, he operated fluidly across fantasy, horror, and surreal speculative fiction, frequently resisting narrow genre labels. His narratives explore themes of existential dread, bureaucratic absurdity, technological tyranny, personal responsibility, and emotional resilience.
In his short fiction and critical writings, Ellison frequently employed surreal metaphors, dark humor, and confrontational moral scenarios that force characters into agonizing choices. His editing work also championed innovative narrative voices, breaking traditional conventions of mid-century science fiction to push speculative literature toward bolder thematic and stylistic experimentation.
5 books in catalog
Speculative fiction gained one of its most prolific and influential short-form creators through a body of work spanning over 1,700 short stories, novellas, essays, screenplays, and teleplays. Harlan Ellison reshaped modern science fiction, dark fantasy, and horror with visceral prose and provocative themes, earning wide recognition for iconic works such as I Have No Mouth and I Must Scream.
Through landmark anthologies, groundbreaking short fiction, and acclaimed television scripts, Ellison asserted a powerful presence across print and visual media. His career left a lasting mark on genre literature, bringing fierce creative independence and challenging ethical dilemmas to speculative storytelling.
Born on May 27, 1934, in Cleveland, Ohio, Harlan Jay Ellison was raised in Ohio and attended Ohio State University for eighteen months before leaving following a dispute with a creative writing professor. He published his earliest fiction during the 1950s, launching his professional literary output with short stories and early collections such as The Deadly Streets in 1958. Ellison expanded his reach into screenwriting during the 1960s and 1970s, contributing memorable scripts for network television while maintaining a relentless pace in short fiction. He famously wrote stories live in bookstore display windows across major cities including Paris, London, New York, and Los Angeles to demonstrate the public craft of fiction writing.
Over a career spanning more than four decades, Ellison earned numerous prestigious honors, including eight and a half Hugo Awards, three Nebula Awards, and six Bram Stoker Awards, alongside a Bram Stoker Lifetime Achievement Award from the Horror Writers Association. In addition to his single-author collections and critical essays, he served as a creative consultant for television series such as Babylon 5. He continued writing, editing, and commenting on contemporary media until his death on June 28, 2018.
Ellison's prose is distinguished by intense emotional energy, rapid cadence, and a sharp focus on human moral fragility under extreme conditions. Rather than confining his writing strictly to hard science fiction, he operated fluidly across fantasy, horror, and surreal speculative fiction, frequently resisting narrow genre labels. His narratives explore themes of existential dread, bureaucratic absurdity, technological tyranny, personal responsibility, and emotional resilience.
In his short fiction and critical writings, Ellison frequently employed surreal metaphors, dark humor, and confrontational moral scenarios that force characters into agonizing choices. His editing work also championed innovative narrative voices, breaking traditional conventions of mid-century science fiction to push speculative literature toward bolder thematic and stylistic experimentation.
Voice from the Edge
Voice from the Edge
