
For over a century, humans, dwarves, gnomes, and elves have lived together in relative peace. But times have changed, the uneasy peace is over, and now the races are fighting once again. The only good elf, it seems, is a dead elf. Geralt of Rivia, the cunning hunter known as the Witcher, has been waiting for the birth of a prophesied child. This child has the power to change the world for good--or for evil.
As the threat of war hangs over the land and the child is hunted for her extraordinary powers, it will become Geralt's responsibility to protect them all. And the Witcher never accepts defeat.
Blood of Elves is where Sapkowski stops writing stories and starts building a saga, and you can feel the gears change. The two earlier collections had the monster-hunting. This one runs on conversation, politics and training, and the spotlight slides from Geralt to the young Ciri. Her chapters are the freshest thing in it.
The cost is momentum. The plot is episodic, much of the worldbuilding arrives through dialogue, and one critic compared it to a radio script. Strange Horizons called it an interesting failure, while the English edition reportedly won the 2009 David Gemmell Legend Award. Both verdicts are easy to understand. It's smart, dryly funny and steeped in folklore, and it's also patient to a fault.
The trade-off is plain: the folklore, the moral murk and Ciri's point of view win people over, but the slow, talky, episodic plot leaves readers missing the monster-hunting.
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Andrzej Sapkowski (born 21 June 1948) is a Polish fantasy writer. He is best known for his series of books, The Witcher, which revolves around the eponymous monster-hunter, Geralt of Rivia. The saga has been popularised through video games, television, stage, comic books and translated into 37 languages, making him the second most-translated Polish science fiction and fantasy writer after Stanisław Lem.
Described as the "Polish Tolkien", he has written multiple novels and short story collections, selling over 30 million copies worldwide. The influence of Slavic mythology is seen as a characteristic feature of many of his works. He is a five-time recipient of the Zajdel Award, Poland's most popular science fiction and fantasy prize, as well as many other awards and honours, including the David Gemmell Award, the World Fantasy Life Achievement Award and the Gloria Artis Medal for Merit to Culture.
The Witcher