

Oxford in 2060 is a chaotic place, with scores of time-traveling historians being sent into the past. Michael Davies is prepping to go to Pearl Harbor. Merope Ward is coping with a bunch of bratty 1940 evacuees and trying to talk her thesis adviser into letting her go to VE-Day. Polly Churchill’s next assignment will be as a shopgirl in the middle of London’s Blitz. But now the time-travel lab is suddenly canceling assignments and switching around everyone’s schedules. And when Michael, Merope, and Polly finally get to World War II, things just get worse. For there they face air raids, blackouts, and dive-bombing Stukas—to say nothing of a growing feeling that not only their assignments but the war and history itself are spiraling out of control. Because suddenly the once-reliable mechanisms of time travel are showing significant glitches, and our heroes are beginning to question their most firmly held belief: that no historian can possibly change the past.
Oxford in 2060 is a chaotic place, with scores of time-traveling historians being sent into the past. Michael Davies is prepping to go to Pearl Harbor. Merope Ward is coping with a bunch of bratty 1940 evacuees and trying to talk her thesis adviser into letting her go to VE-Day. Polly Churchill’s next assignment will be as a shopgirl in the middle of London’s Blitz. But now the time-travel lab is suddenly canceling assignments and switching around everyone’s schedules. And when Michael, Merope, and Polly finally get to World War II, things just get worse. For there they face air raids, blackouts, and dive-bombing Stukas—to say nothing of a growing feeling that not only their assignments but the war and history itself are spiraling out of control. Because suddenly the once-reliable mechanisms of time travel are showing significant glitches, and our heroes are beginning to question their most firmly held belief: that no historian can possibly change the past.
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Find Blackout Connie Willis in PDF, EPUB, ebook, audiobook, print, or library editions.
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7 books in catalog
Time-traveling historians sent into pivotal eras of British history form the backbone of one of speculative fiction's most decorated bodies of work, beginning in earnest with the Oxford Time Travel series. Connie Willis established herself as a central figure in science fiction and fantasy through meticulously researched narrative arcs that blend historical tragedy, sharp comedic screwball elements, and deep human empathy. Her groundbreaking novels, such as Doomsday Book and To Say Nothing of the Dog, elevated the genre by exploring how ordinary individuals confront administrative chaos, crisis, and mortality across different centuries.
Born Constance Elaine Trimmer on December 31, 1945, in Denver, Colorado, Willis earned a Bachelor of Arts degree in English and elementary education from the University of Northern Colorado in Greeley in 1967. She spent over a decade teaching elementary and junior high school from 1967 through 1981 while developing her fiction. Her debut science fiction sale, 'The Secret of Santa Titicaca,' appeared in Worlds of Fantasy in 1970, followed by her first Hugo Award nomination for 'Daisy in the Sun' in 1979. A National Endowment for the Arts grant in 1982 allowed her to transition to full-time writing. In the years that followed, she achieved distinction by becoming the first author to win both the Hugo and Nebula Awards in all four fiction categories, ultimately winning eleven Hugo Awards and seven Nebula Awards for individual works. Her major contributions led to her induction into the Science Fiction Hall of Fame in 2009 and her designation as the 28th SFWA Grand Master in 2011.
Willis's fiction ranges from laugh-out-loud romantic comedies reminiscent of classic screwball cinema to harrowing, immersive survival stories set during historical disasters. A recurring thematic thread in her narrative landscape is the unpredictable friction between grand historical events and everyday human vulnerability, frequently depicted through administrative incompetence, miscommunication, and bureaucratic obstacles. Whether examining the devastation of the Black Death, the perils of the London Blitz, or near-death experiences in medical research, her stories balance detailed technical and historical research with engaging dialogue and profound character studies.

7 books in catalog
Time-traveling historians sent into pivotal eras of British history form the backbone of one of speculative fiction's most decorated bodies of work, beginning in earnest with the Oxford Time Travel series. Connie Willis established herself as a central figure in science fiction and fantasy through meticulously researched narrative arcs that blend historical tragedy, sharp comedic screwball elements, and deep human empathy. Her groundbreaking novels, such as Doomsday Book and To Say Nothing of the Dog, elevated the genre by exploring how ordinary individuals confront administrative chaos, crisis, and mortality across different centuries.
Born Constance Elaine Trimmer on December 31, 1945, in Denver, Colorado, Willis earned a Bachelor of Arts degree in English and elementary education from the University of Northern Colorado in Greeley in 1967. She spent over a decade teaching elementary and junior high school from 1967 through 1981 while developing her fiction. Her debut science fiction sale, 'The Secret of Santa Titicaca,' appeared in Worlds of Fantasy in 1970, followed by her first Hugo Award nomination for 'Daisy in the Sun' in 1979. A National Endowment for the Arts grant in 1982 allowed her to transition to full-time writing. In the years that followed, she achieved distinction by becoming the first author to win both the Hugo and Nebula Awards in all four fiction categories, ultimately winning eleven Hugo Awards and seven Nebula Awards for individual works. Her major contributions led to her induction into the Science Fiction Hall of Fame in 2009 and her designation as the 28th SFWA Grand Master in 2011.
Willis's fiction ranges from laugh-out-loud romantic comedies reminiscent of classic screwball cinema to harrowing, immersive survival stories set during historical disasters. A recurring thematic thread in her narrative landscape is the unpredictable friction between grand historical events and everyday human vulnerability, frequently depicted through administrative incompetence, miscommunication, and bureaucratic obstacles. Whether examining the devastation of the Black Death, the perils of the London Blitz, or near-death experiences in medical research, her stories balance detailed technical and historical research with engaging dialogue and profound character studies.
All Clear
All Clear