

“Paul Tremblay delivers another mind-bending horror novel . . . The Pallbearers Club is a welcome casket of chills to shoulder.” – Washington Post “Uncertainty is Tremblay’s stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.” – Esquire “[A] deliciously confusing thriller.” – Weekend Edition (NPR) A cleverly voiced psychological thriller from the nationally bestselling author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.
“Paul Tremblay delivers another mind-bending horror novel . . . The Pallbearers Club is a welcome casket of chills to shoulder.” – Washington Post “Uncertainty is Tremblay’s stock-in-trade. Over the last decade, he has grown from hot new thing to horror icon without compromising on his uniquely inexplicable nightmares.” – Esquire “[A] deliciously confusing thriller.” – Weekend Edition (NPR) A cleverly voiced psychological thriller from the nationally bestselling author of The Cabin at the End of the World and Survivor Song. What if the coolest girl you’ve ever met decided to be your friend? Art Barbara was so not cool. He was a seventeen-year-old high school loner in the late 1980s who listened to hair metal, had to wear a monstrous back-brace at night for his scoliosis, and started an extracurricular club for volunteer pallbearers at poorly attended funerals. But his new friend thought the Pallbearers Club was cool. And she brought along her Polaroid camera to take pictures of the corpses. Okay, that part was a little weird. So was her obsessive knowledge of a notorious bit of New England folklore that involved digging up the dead. And there were other strange things – terrifying things – that happened when she was around, usually at night. But she was his friend, so it was okay, right? Decades later, Art tries to make sense of it all by writing The Pallbearers Club: A Memoir. But somehow this friend got her hands on the manuscript and, well, she has some issues with it. And now she’s making cuts. Seamlessly blurring the lines between fiction and memory, the supernatural and the mundane, The Pallbearers Club is an immersive, suspenseful portrait of an unusual and disconcerting relationship.
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Find The Pallbearers Club Paul Tremblay in PDF, EPUB, ebook, audiobook, print, or library editions.
Find The Pallbearers Club Paul Tremblay in PDF, EPUB, ebook, audiobook, print, or library editions.
8 books in catalog
Blending psychological suspense, horror, and dark fantasy, the novel A Head Full of Ghosts brought widespread attention to modern possession narratives by exploring family trauma, media exploitation, and narrative ambiguity. Author Paul Tremblay is a New York Times bestselling writer whose fiction spans horror, dark fantasy, mystery, and science fiction.
Born on June 30, 1971, in Aurora, Colorado, Paul Gaetan Tremblay grew up in New England. He attended Providence College for his undergraduate studies and earned a master's degree in mathematics from the University of Vermont. Before writing full-time, Tremblay established a long-time career as a high school mathematics teacher outside of Boston, Massachusetts, where he continues to live with his family. He began publishing short fiction in 2000 and launched his novel-length career with the hardboiled crime novels The Little Sleep and No Sleep Till Wonderland.
Over his career, Tremblay has received the Bram Stoker, British Fantasy, Sheridan Le Fanu, and Massachusetts Book awards, and has served as a juror for the Shirley Jackson Awards. His major standalone novels include A Head Full of Ghosts, Disappearance at Devil's Rock, The Cabin at the End of the World, Survivor Song, The Pallbearers Club, The Beast You Are, Horror Movie: A Novel, and Another. His 2018 thriller The Cabin at the End of the World was adapted by Universal Pictures into the feature film Knock at the Cabin. Tremblay has also published short fiction collections including Growing Things and Other Stories and She Said Destroy, alongside standalone short fiction such as the Amazon Original stories "The Last Conversation" and "In Bloom," and works like Dead but Dreaming of Electric Sheep. His essays and short stories have appeared in The New York Times, Boston Globe, Los Angeles Times, Entertainment Weekly online, and numerous year's best anthologies.
Tremblay's writing is defined by grounded characterization, psychological realism, and a deliberate destabilization of classic horror tropes. Rather than relying solely on supernatural monsters, his narratives frequently utilize unreliable narrators, metafictional frameworks, and ambiguous occurrences that leave supernatural interpretations open to debate. His work explores modern anxieties, pandemic crises, working-class realities, domestic vulnerability, and the emotional complexities of friendship and family.
8 books in catalog
Blending psychological suspense, horror, and dark fantasy, the novel A Head Full of Ghosts brought widespread attention to modern possession narratives by exploring family trauma, media exploitation, and narrative ambiguity. Author Paul Tremblay is a New York Times bestselling writer whose fiction spans horror, dark fantasy, mystery, and science fiction.
Born on June 30, 1971, in Aurora, Colorado, Paul Gaetan Tremblay grew up in New England. He attended Providence College for his undergraduate studies and earned a master's degree in mathematics from the University of Vermont. Before writing full-time, Tremblay established a long-time career as a high school mathematics teacher outside of Boston, Massachusetts, where he continues to live with his family. He began publishing short fiction in 2000 and launched his novel-length career with the hardboiled crime novels The Little Sleep and No Sleep Till Wonderland.
Over his career, Tremblay has received the Bram Stoker, British Fantasy, Sheridan Le Fanu, and Massachusetts Book awards, and has served as a juror for the Shirley Jackson Awards. His major standalone novels include A Head Full of Ghosts, Disappearance at Devil's Rock, The Cabin at the End of the World, Survivor Song, The Pallbearers Club, The Beast You Are, Horror Movie: A Novel, and Another. His 2018 thriller The Cabin at the End of the World was adapted by Universal Pictures into the feature film Knock at the Cabin. Tremblay has also published short fiction collections including Growing Things and Other Stories and She Said Destroy, alongside standalone short fiction such as the Amazon Original stories "The Last Conversation" and "In Bloom," and works like Dead but Dreaming of Electric Sheep. His essays and short stories have appeared in The New York Times, Boston Globe, Los Angeles Times, Entertainment Weekly online, and numerous year's best anthologies.
Tremblay's writing is defined by grounded characterization, psychological realism, and a deliberate destabilization of classic horror tropes. Rather than relying solely on supernatural monsters, his narratives frequently utilize unreliable narrators, metafictional frameworks, and ambiguous occurrences that leave supernatural interpretations open to debate. His work explores modern anxieties, pandemic crises, working-class realities, domestic vulnerability, and the emotional complexities of friendship and family.