"The secret is, vampires are real and I am one. The secret is, I'm stealing from you what is most truly yours and I'm not sorry ... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody--he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It's almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him--or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us"--
"The secret is, vampires are real and I am one. The secret is, I'm stealing from you what is most truly yours and I'm not sorry ... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody--he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city's sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It's almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him--or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us"--
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Find The Lesser Dead Christopher Buehlman in PDF, EPUB, ebook, audiobook, print, or library editions.
Find The Lesser Dead Christopher Buehlman in PDF, EPUB, ebook, audiobook, print, or library editions.
7 books in catalog
Dark fantasy and horror fiction gained a distinct blend of historical grit, macabre atmosphere, and sharp humor through novels such as Between Two Fires and The Blacktongue Thief. Christopher Buehlman established his reputation across speculative fiction by pairing detailed historical or urban settings with folklore, monsters, and morally complex characters. His narrative approach draws heavily on myth, dark comedy, and realistic character voices across both standalone horror novels and epic fantasy series.
Born in Tampa, Florida, on February 22, 1969, Buehlman grew up in the Tampa Bay area and later attended Florida State University, where he majored in French language and literature. Before publishing novels, he spent decades performing as a comedian, playwright, and poet. He gained wide recognition on the US renaissance festival circuit under the stage persona Christophe the Insultor, Verbal Mercenary. His early literary achievements included winning the Bridport Prize for poetry in 2007 for his poem Wanton.
Buehlman transitioned to long-form fiction with his debut horror novel Those Across the River in 2011, followed by Between Two Fires in 2012, a novel combining medieval plague horror with apocalyptic religious themes. Over the subsequent decade, he authored urban horror and fantasy titles including The Necromancer's House, The Lesser Dead, and The Suicide Motor Club. In 2021, he expanded into high fantasy with The Blacktongue Thief, followed by its prequel The Daughters' War in 2024. He divides his time between Florida and France.
Buehlman's writing is marked by deep immersion in regional, historical, and folkloric settings, ranging from 1930s Georgia and 1970s New York City to fourteenth-century France during the Black Death. He frequently subverts familiar genre tropes, presenting vampires, sorcerers, and medieval mercenaries through gritty, grounded perspectives enriched by dark comedy and authentic dialogue. His backgrounds in poetry and live performance inform his rhythmic prose, distinct character voices, and balance of tragic drama with sharp levity.
7 books in catalog
Dark fantasy and horror fiction gained a distinct blend of historical grit, macabre atmosphere, and sharp humor through novels such as Between Two Fires and The Blacktongue Thief. Christopher Buehlman established his reputation across speculative fiction by pairing detailed historical or urban settings with folklore, monsters, and morally complex characters. His narrative approach draws heavily on myth, dark comedy, and realistic character voices across both standalone horror novels and epic fantasy series.
Born in Tampa, Florida, on February 22, 1969, Buehlman grew up in the Tampa Bay area and later attended Florida State University, where he majored in French language and literature. Before publishing novels, he spent decades performing as a comedian, playwright, and poet. He gained wide recognition on the US renaissance festival circuit under the stage persona Christophe the Insultor, Verbal Mercenary. His early literary achievements included winning the Bridport Prize for poetry in 2007 for his poem Wanton.
Buehlman transitioned to long-form fiction with his debut horror novel Those Across the River in 2011, followed by Between Two Fires in 2012, a novel combining medieval plague horror with apocalyptic religious themes. Over the subsequent decade, he authored urban horror and fantasy titles including The Necromancer's House, The Lesser Dead, and The Suicide Motor Club. In 2021, he expanded into high fantasy with The Blacktongue Thief, followed by its prequel The Daughters' War in 2024. He divides his time between Florida and France.
Buehlman's writing is marked by deep immersion in regional, historical, and folkloric settings, ranging from 1930s Georgia and 1970s New York City to fourteenth-century France during the Black Death. He frequently subverts familiar genre tropes, presenting vampires, sorcerers, and medieval mercenaries through gritty, grounded perspectives enriched by dark comedy and authentic dialogue. His backgrounds in poetry and live performance inform his rhythmic prose, distinct character voices, and balance of tragic drama with sharp levity.
