Orphaned siblings create a macabre secret world for themselves in this “irresistibly readable” novel by the New York Times-bestselling author (The New York Review of Books). This “powerful and disconcerting” novel by the Booker Prize-winning author of The Children Act and Atonement (The Daily Telegraph) tells the story of a dying family who live in a dying part of the city. A father of four children decides, in an effort to make his garden easier to control, to pave it over. In the process, he has a heart attack and dies, leaving the cement garden unfinished and the children to the care of their mother. Soon after, the mother too dies and the children, fearful of being separated by social services, decide to cover up their parents’ deaths: they bury their mother in the cement garden. The story is told from the point of view of Jack, one of the sons, who is entering adolescence with all of its attendant curiosity and appetites. Julie, the eldest, is almost a grown woman. Sue is rather bookish and observes all that goes on around her. And Tom is the youngest and the baby of the lot. The children seem to manage in this perverse setting rather well—until Julie brings home a boyfriend who threatens their secret by asking too many questions. “[A] beautiful but disturbing novel.”—The AV Club “McEwan’s evocative detail and perfect British prose lend a genteel decorum to the death and decay that surround the family.”—The New Yorker
Orphaned siblings create a macabre secret world for themselves in this “irresistibly readable” novel by the New York Times-bestselling author (The New York Review of Books). This “powerful and disconcerting” novel by the Booker Prize-winning author of The Children Act and Atonement (The Daily Telegraph) tells the story of a dying family who live in a dying part of the city. A father of four children decides, in an effort to make his garden easier to control, to pave it over. In the process, he has a heart attack and dies, leaving the cement garden unfinished and the children to the care of their mother. Soon after, the mother too dies and the children, fearful of being separated by social services, decide to cover up their parents’ deaths: they bury their mother in the cement garden. The story is told from the point of view of Jack, one of the sons, who is entering adolescence with all of its attendant curiosity and appetites. Julie, the eldest, is almost a grown woman. Sue is rather bookish and observes all that goes on around her. And Tom is the youngest and the baby of the lot. The children seem to manage in this perverse setting rather well—until Julie brings home a boyfriend who threatens their secret by asking too many questions. “[A] beautiful but disturbing novel.”—The AV Club “McEwan’s evocative detail and perfect British prose lend a genteel decorum to the death and decay that surround the family.”—The New Yorker
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Find The Cement Garden Ian McEwan in PDF, EPUB, ebook, audiobook, print, or library editions.
Find The Cement Garden Ian McEwan in PDF, EPUB, ebook, audiobook, print, or library editions.
10 books in catalog
Explorations of psychological tension, moral dilemmas, and the sudden disruption of ordinary life define one of contemporary British fiction's most widely read bodies of work, notably exemplified by the critically acclaimed novel Atonement. Ian McEwan established his career through meticulously crafted prose that examines how intimate personal choices intersect with broader historical, scientific, and social forces.
Ian McEwan studied at the University of Sussex, receiving a BA degree in English Literature in 1970, and later earned an MA degree in English Literature at the University of East Anglia. His debut short story collection, First Love, Last Rites, won the Somerset Maugham Award in 1976. Early works such as The Cement Garden and The Comfort of Strangers featured dark, shocking subjects that earned him the nickname 'Ian Macabre' in the British press. Over subsequent decades, his literary repertoire broadened to cover family dynamics, political intrigue, and contemporary history.
McEwan received widespread international honors throughout his career. His 1987 novel The Child in Time won the Whitbread Novel Award (1987) and the Prix Fémina Étranger (1993). He was awarded Germany's Shakespeare Prize in 1999 and was named a CBE in 2000. Shortlisted for the Man Booker Prize on several occasions, he won the award for Amsterdam in 1998. His novel Atonement received the WH Smith Literary Award (2002), the National Book Critics' Circle Fiction Award (2003), the Los Angeles Times Prize for Fiction (2003), and the Santiago Prize for the European Novel (2004). In 2006, he won the James Tait Black Memorial Prize for his novel Saturday, and his novel On Chesil Beach was named Galaxy Book of the Year at the 2008 British Book Awards, where McEwan was also named Reader's Digest Author of the Year. McEwan lives in London.
McEwan's prose style is known for combining formal restraint and precise observation with sudden unsettling turns, exploring human vulnerability, guilt, and moral responsibility. A recurring structural theme across his novels is the single pivotal moment—an error in judgment, a tragic accident, or an unexpected encounter—that alters the course of characters' lives forever. In addition to psychological realism, his work reflects a deep engagement with science, rationalism, and technology, as seen in Machines Like Me and What We Can Know. His narrative range spans screenplays, short fiction, and novels that probe the intersection of personal conscience and public events.
10 books in catalog
Explorations of psychological tension, moral dilemmas, and the sudden disruption of ordinary life define one of contemporary British fiction's most widely read bodies of work, notably exemplified by the critically acclaimed novel Atonement. Ian McEwan established his career through meticulously crafted prose that examines how intimate personal choices intersect with broader historical, scientific, and social forces.
Ian McEwan studied at the University of Sussex, receiving a BA degree in English Literature in 1970, and later earned an MA degree in English Literature at the University of East Anglia. His debut short story collection, First Love, Last Rites, won the Somerset Maugham Award in 1976. Early works such as The Cement Garden and The Comfort of Strangers featured dark, shocking subjects that earned him the nickname 'Ian Macabre' in the British press. Over subsequent decades, his literary repertoire broadened to cover family dynamics, political intrigue, and contemporary history.
McEwan received widespread international honors throughout his career. His 1987 novel The Child in Time won the Whitbread Novel Award (1987) and the Prix Fémina Étranger (1993). He was awarded Germany's Shakespeare Prize in 1999 and was named a CBE in 2000. Shortlisted for the Man Booker Prize on several occasions, he won the award for Amsterdam in 1998. His novel Atonement received the WH Smith Literary Award (2002), the National Book Critics' Circle Fiction Award (2003), the Los Angeles Times Prize for Fiction (2003), and the Santiago Prize for the European Novel (2004). In 2006, he won the James Tait Black Memorial Prize for his novel Saturday, and his novel On Chesil Beach was named Galaxy Book of the Year at the 2008 British Book Awards, where McEwan was also named Reader's Digest Author of the Year. McEwan lives in London.
McEwan's prose style is known for combining formal restraint and precise observation with sudden unsettling turns, exploring human vulnerability, guilt, and moral responsibility. A recurring structural theme across his novels is the single pivotal moment—an error in judgment, a tragic accident, or an unexpected encounter—that alters the course of characters' lives forever. In addition to psychological realism, his work reflects a deep engagement with science, rationalism, and technology, as seen in Machines Like Me and What We Can Know. His narrative range spans screenplays, short fiction, and novels that probe the intersection of personal conscience and public events.
