

Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are.
With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers.
But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura’s sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster.
Late one night, Laura, Daniel, and Mo find themselves beneath the fluorescent lights of a high school classroom, almost a year after disappearing from their hometown, the small seaside community of Lovesend, Massachusetts, having long been presumed dead. Which, in fact, they are.
With them in the room is their previously unremarkable high school music teacher, who seems to know something about their disappearance—and what has brought them back again. Desperate to reclaim their lives, the three agree to the terms of the bargain their music teacher proposes. They will be given a series of magical tasks; while they undertake them, they may return to their families and friends, but they can tell no one where they’ve been. In the end, there will be winners and there will be losers.
But their resurrection has attracted the notice of other supernatural figures, all with their own agendas. As Laura, Daniel, and Mo grapple with the pieces of the lives they left behind, and Laura’s sister, Susannah, attempts to reconcile what she remembers with what she fears, these mysterious others begin to arrive, engulfing their community in danger and chaos, and it becomes imperative that the teens solve the mystery of their deaths to avert a looming disaster.
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Find The Book of Love Kelly Link in PDF, EPUB, ebook, audiobook, print, or library editions.
Find The Book of Love Kelly Link in PDF, EPUB, ebook, audiobook, print, or library editions.
3 books in catalog
Blending elements of speculative fiction, horror, fairy tales, and literary realism, short fiction and novels that bridge genres have established a distinct presence in contemporary literature, highlighted by the Pulitzer Prize-finalist short story collection Get in Trouble. The author Kelly Link has earned widespread acclaim for imaginative narratives that transform mundane domestic settings into eerie, enchanted landscapes populated by ghosts, superheroes, and mysterious entities.
From celebrated short story collections such as White Cat, Black Dog to her long-awaited debut novel The Book of Love, her fiction presents ordinary people encountering strange supernatural dilemmas with emotional depth and subtle humor.
Born in Miami, Florida, in 1969, Link attended Columbia University before completing a Master of Fine Arts program during the 1990s. Early in her career, she worked as a bookseller at the Avenue Victor Hugo Bookshop in Boston, where she met her future husband and collaborator, Gavin J. Grant. She published her first professional story, 'Water Off a Black Dog's Back,' in 1995, followed by award-winning early stories including 'The Specialist's Hat' and 'Louise's Ghost.' Alongside her writing, she co-founded the independent publishing house Small Beer Press with Grant, where they co-edited the literary zine Lady Churchill's Rosebud Wristlet as well as genre-defining anthologies such as The Year's Best Fantasy and Horror, Steampunk!, and Monstrous Affections.
Her debut story collection, Stranger Things Happen, appeared in 2001, launching a critically acclaimed career across short fiction that expanded through subsequent collections including Magic for Beginners and Pretty Monsters. Link's contributions to literature earned her a 2018 MacArthur Fellowship and a grant from the National Endowment for the Arts, alongside multiple Hugo, Nebula, and World Fantasy Awards. In 2024, she published her debut novel, The Book of Love, following three teenagers drawn into a supernatural conflict, further extending her reach into long-form fiction while continuing to write, teach, and publish.
Link's writing frequently falls under the umbrella of slipstream, magical realism, or contemporary dark fantasy, weaving together tropes from science fiction, folklore, horror, and quiet domestic drama. Critics and readers often compare her surreal inventiveness to writers such as Shirley Jackson, Angela Carter, and Haruki Murakami. Her prose balances precise character observations with unsettling, absurd, or uncanny events, treating absurd supernatural premises—such as convenience stores managed by zombies or houses containing secret dimensions—with understated seriousness.
A central theme across her stories is the permeable boundary between love, grief, longing, and terror. Her characters navigate strange rules and bargains in worlds where the ordinary and the mythical overlap seamlessly. By subverting traditional narrative expectations and genre conventions, Link creates layered fables that explore human connection, youth, mortality, and the unpredictable nature of desire.
3 books in catalog
Blending elements of speculative fiction, horror, fairy tales, and literary realism, short fiction and novels that bridge genres have established a distinct presence in contemporary literature, highlighted by the Pulitzer Prize-finalist short story collection Get in Trouble. The author Kelly Link has earned widespread acclaim for imaginative narratives that transform mundane domestic settings into eerie, enchanted landscapes populated by ghosts, superheroes, and mysterious entities.
From celebrated short story collections such as White Cat, Black Dog to her long-awaited debut novel The Book of Love, her fiction presents ordinary people encountering strange supernatural dilemmas with emotional depth and subtle humor.
Born in Miami, Florida, in 1969, Link attended Columbia University before completing a Master of Fine Arts program during the 1990s. Early in her career, she worked as a bookseller at the Avenue Victor Hugo Bookshop in Boston, where she met her future husband and collaborator, Gavin J. Grant. She published her first professional story, 'Water Off a Black Dog's Back,' in 1995, followed by award-winning early stories including 'The Specialist's Hat' and 'Louise's Ghost.' Alongside her writing, she co-founded the independent publishing house Small Beer Press with Grant, where they co-edited the literary zine Lady Churchill's Rosebud Wristlet as well as genre-defining anthologies such as The Year's Best Fantasy and Horror, Steampunk!, and Monstrous Affections.
Her debut story collection, Stranger Things Happen, appeared in 2001, launching a critically acclaimed career across short fiction that expanded through subsequent collections including Magic for Beginners and Pretty Monsters. Link's contributions to literature earned her a 2018 MacArthur Fellowship and a grant from the National Endowment for the Arts, alongside multiple Hugo, Nebula, and World Fantasy Awards. In 2024, she published her debut novel, The Book of Love, following three teenagers drawn into a supernatural conflict, further extending her reach into long-form fiction while continuing to write, teach, and publish.
Link's writing frequently falls under the umbrella of slipstream, magical realism, or contemporary dark fantasy, weaving together tropes from science fiction, folklore, horror, and quiet domestic drama. Critics and readers often compare her surreal inventiveness to writers such as Shirley Jackson, Angela Carter, and Haruki Murakami. Her prose balances precise character observations with unsettling, absurd, or uncanny events, treating absurd supernatural premises—such as convenience stores managed by zombies or houses containing secret dimensions—with understated seriousness.
A central theme across her stories is the permeable boundary between love, grief, longing, and terror. Her characters navigate strange rules and bargains in worlds where the ordinary and the mythical overlap seamlessly. By subverting traditional narrative expectations and genre conventions, Link creates layered fables that explore human connection, youth, mortality, and the unpredictable nature of desire.