
"Agatha Christie meets Groundhog Day...quite unlike anything I've ever read, and altogether triumphant." -- A. J. Finn, #1 New York Times-bestselling author of The Woman in the Window Shortlisted for the Costa Award One of Stylist Magazine's 20 Must-Read Books of 2018 One of Harper's Bazaar's 10 Must-Read Books of 2018 One of Guardian's Best Books of 2018 The Rules of Blackheath Evelyn Hardcastle will be murdered at 11:00 p.m. There are eight days, and eight witnesses for you to inhabit. We will only let you escape once you tell us the name of the killer. Understood? Then let's begin... *** Evelyn Hardcastle will die. Every day until Aiden Bishop can identify her killer and break the cycle. But every time the day begins again, Aiden wakes up in the body of a different guest. And some of his hosts are more helpful than others... The most inventive debut of the year twists together a mystery of such unexpected creativity it will leave readers guessing until the very last page.
Turton has taken the country-house whodunit somewhere genuinely strange: Aiden wakes in a new body each day, and every host turns the same investigation into a different problem. Some readers treat that disorientation as the pleasure; others lose the thread and blame the large cast or slow opening. Major UK and US reviews were far kinder, calling the blend of Christie-style puzzle, body-swapping and gothic menace inventive and polished.
The ambition rests on alarming precision. Turton tracked every character in two-minute increments on a spreadsheet, then discarded about 40,000 words when the plan slipped. That care gives repeated scenes their interlocking shape, even if readers hoping for a straight story may need notes and patience.
Major UK and US reviews were warmly emphatic, praising the mix of time loops, body-swapping, country-house mystery and gothic menace. Readers split sharply: some adore the puzzle and disorientation, while others complain about the large cast, the pace, the ending and the rules of the loop. It won the 2018 Costa First Novel Award, whose judges praised it as ingenious and highly original.
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Combining classic whodunit puzzles with high-concept speculative fiction, intricate murder mysteries have captured international readership through high-stakes, locked-location settings. English journalist and novelist Stuart Turton made a striking entry into fiction with his bestselling novel The Seven Deaths of Evelyn Hardcastle, published in the United States as The 7 1/2 Deaths of Evelyn Hardcastle. His books have appeared on both the Sunday Times and USA Today bestseller lists, selling over one million copies worldwide.
Often referring to his first three standalone books as a 'not-a-trilogy' trilogy, his works have been translated into forty languages. By placing traditional detective puzzles inside extraordinary high-concept scenarios, his stories challenge readers to solve seemingly impossible crimes before time runs out.
Born in 1980 in Widnes, England, Stuart Turton spent years working as a journalist before turning to fiction writing. He later lived in West London with his wife, working as a freelance journalist while crafting his debut manuscript. His first novel, The Seven Deaths of Evelyn Hardcastle, was published in 2018 and achieved widespread critical acclaim. The novel won the 2018 Costa Book Award for First Novel as well as the Books Are My Bag Readers Award for Best Novel, while also securing shortlistings for the Specsavers National Book Awards and the British Book Awards Debut of the Year.
Following his debut success, Turton expanded his narrative repertoire with his second novel, The Devil and the Dark Water, and his post-apocalyptic mystery The Last Murder at the End of the World. The latter reached number one on the Sunday Times bestseller list. Across these works, Turton established a reputation as a friendly neighbourhood author who delights in subverting genre expectations, earning commercial and critical success across global markets.
Turton is widely recognized for fusing locked-room mystery structures with elements of literary fiction, science fiction, fantasy, and horror. A central motif in his storytelling is the execution of isolated, trap-like environments—progressing from a locked estate in his debut, to a locked boat on the high seas in his second book, and a locked island in his third. These contained environments create intense narrative pressure, trapping characters with a limited cast of suspects and forcing them to confront urgent timelines.
Beyond their mechanical intrigue, Turton's novels explore fundamental human questions about identity, morality, and survival under extreme conditions. He crafts intricate narrative structures featuring wild plot twists, time constraints, and layered puzzles that keep readers guessing until the climax. His inventive approach to mystery fiction allows each novel to function as an independent, high-concept narrative while maintaining a consistent commitment to clever puzzle-box plotting.
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