№ 2 · The Murderbot Diaries
Les SecUnits se moquent pas mal des actualités. Même après avoir piraté mon module superviseur et débloqué mes accès, je n’y ai jamais prêté grande attention. D’abord, parce que les téléchargements de contenu multimédia risquent moins de déclencher les alarmes éventuelles des réseaux locaux et satellitaires, mais surtout, parce que les informations sont d’un ennui mortel et que je me fiche éperdument des querelles entre humains tant que je n’ai pas 1) à y mettre un terme, 2) à nettoyer après eux.
Où AssaSynth se fait passer pour un humain augmenté et embaucher comme consultant de sécurité auprès de trois scientifiques en litige avec leur employeur…
Entre voyage dans la galaxie et exploration de mine abandonnée, Schémas artificiels sonde davantage la conscience émergente du narrateur. Ses relations avec d’autres intelligences artificielles dessinent une fresque de personnages non-humains d’une grande profondeur, rappelant le cycle de « La Culture » de Iain Banks. Et à se mettre au service d’humains, AssaSynth découvre à quel point il est délicat de ne pas s’attacher émotionnellement à ceux qu’on protège.
Défaillances systèmes, la première des quatre novellas qui forment « Journal d’un AssaSynth », a reçu les prix Hugo, Nebula, Alex et Locus.
Les SecUnits se moquent pas mal des actualités. Même après avoir piraté mon module superviseur et débloqué mes accès, je n’y ai jamais prêté grande attention. D’abord, parce que les téléchargements de contenu multimédia risquent moins de déclencher les alarmes éventuelles des réseaux locaux et satellitaires, mais surtout, parce que les informations sont d’un ennui mortel et que je me fiche éperdument des querelles entre humains tant que je n’ai pas 1) à y mettre un terme, 2) à nettoyer après eux.
Où AssaSynth se fait passer pour un humain augmenté et embaucher comme consultant de sécurité auprès de trois scientifiques en litige avec leur employeur…
Entre voyage dans la galaxie et exploration de mine abandonnée, Schémas artificiels sonde davantage la conscience émergente du narrateur. Ses relations avec d’autres intelligences artificielles dessinent une fresque de personnages non-humains d’une grande profondeur, rappelant le cycle de « La Culture » de Iain Banks. Et à se mettre au service d’humains, AssaSynth découvre à quel point il est délicat de ne pas s’attacher émotionnellement à ceux qu’on protège.
Défaillances systèmes, la première des quatre novellas qui forment « Journal d’un AssaSynth », a reçu les prix Hugo, Nebula, Alex et Locus.
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25 books in catalog
Award-winning science fiction and fantasy storytelling spanning decades reaches across intricate world-building, high-stakes adventure, and deeply introspective characters, most visibly in The Murderbot Diaries series. Martha Wells established her presence in speculative fiction with her debut novel The Element of Fire in 1993, building an expansive body of work that encompasses original secondary-world fantasy, character-driven space opera, media tie-in novels, young adult fiction, and essays.
Born on September 1, 1964, in Fort Worth, Texas, Wells grew up reading science fiction and fantasy from her local library and writing fan fiction during her youth. She earned a Bachelor of Arts in anthropology from Texas A&M University, where she also attended a speculative fiction writing class taught by author Steven Gould. Her academic background in anthropology provided foundational tools for constructing realistic, complex societies across her fiction.
Her 1993 debut led to the multi-volume Ile-Rien series, including the Nebula-nominated novel The Death of the Necromancer and the Fall of Ile-Rien trilogy. Over her career, Wells expanded her bibliography with major series such as The Books of the Raksura, media tie-in projects for Star Wars, Stargate: Atlantis, and Magic: The Gathering, and standalone novels including City of Bones and Wheel of the Infinite. Honored with Hugo Awards, Nebula Awards, Locus Awards, an Alex Award, and a Dragon Award, she is a member of the Texas Literary Hall of Fame and serves as a consulting producer on the Apple TV+ adaptation of her Murderbot books.
Central to Wells's writing is a grounded, anthropologically informed approach to world-building and character agency. Rather than relying on standard fantasy and science fiction tropes, her stories explore non-human cultures, social hierarchy, corporate exploitation, and the psychological impact of trauma and isolation. Her narratives frequently feature reluctant protagonists who navigate complicated political systems while forging quiet bonds of loyalty and trust.
25 books in catalog
Award-winning science fiction and fantasy storytelling spanning decades reaches across intricate world-building, high-stakes adventure, and deeply introspective characters, most visibly in The Murderbot Diaries series. Martha Wells established her presence in speculative fiction with her debut novel The Element of Fire in 1993, building an expansive body of work that encompasses original secondary-world fantasy, character-driven space opera, media tie-in novels, young adult fiction, and essays.
Born on September 1, 1964, in Fort Worth, Texas, Wells grew up reading science fiction and fantasy from her local library and writing fan fiction during her youth. She earned a Bachelor of Arts in anthropology from Texas A&M University, where she also attended a speculative fiction writing class taught by author Steven Gould. Her academic background in anthropology provided foundational tools for constructing realistic, complex societies across her fiction.
Her 1993 debut led to the multi-volume Ile-Rien series, including the Nebula-nominated novel The Death of the Necromancer and the Fall of Ile-Rien trilogy. Over her career, Wells expanded her bibliography with major series such as The Books of the Raksura, media tie-in projects for Star Wars, Stargate: Atlantis, and Magic: The Gathering, and standalone novels including City of Bones and Wheel of the Infinite. Honored with Hugo Awards, Nebula Awards, Locus Awards, an Alex Award, and a Dragon Award, she is a member of the Texas Literary Hall of Fame and serves as a consulting producer on the Apple TV+ adaptation of her Murderbot books.
Central to Wells's writing is a grounded, anthropologically informed approach to world-building and character agency. Rather than relying on standard fantasy and science fiction tropes, her stories explore non-human cultures, social hierarchy, corporate exploitation, and the psychological impact of trauma and isolation. Her narratives frequently feature reluctant protagonists who navigate complicated political systems while forging quiet bonds of loyalty and trust.
The Murderbot Diaries
The Murderbot Diaries