№ 4 · The Collected Stories of Roger Zelazny
Last Exit to Babylon,
by Roger Zelazny, David G. Grubbs, Christopher S. Kovacs, Ann Crimmins
by Roger Zelazny, David G. Grubbs, Christopher S. Kovacs, Ann Crimmins
by Roger Zelazny, David G. Grubbs, Christopher S. Kovacs, Ann Crimmins
Last Exit to Babylon contains Zelazny's short works from the late 1970s and early 1980s when Zelazny's popularity opened new markets for his work. He continued to produce highly-crafted stories, such as the popular "The Last Defender of Camelot," the Hugo-winning "Unicorn Variation," and the Hugo and Nebula-winning "Home is the Hangman." The stories in this series are enriched by editors' notes and Zelazny's own words, taken from his many essays, describing why he wrote the stories and what he thought about them in retrospect.
Last Exit to Babylon contains Zelazny's short works from the late 1970s and early 1980s when Zelazny's popularity opened new markets for his work. He continued to produce highly-crafted stories, such as the popular "The Last Defender of Camelot," the Hugo-winning "Unicorn Variation," and the Hugo and Nebula-winning "Home is the Hangman." The stories in this series are enriched by editors' notes and Zelazny's own words, taken from his many essays, describing why he wrote the stories and what he thought about them in retrospect.
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The Collected Stories of Roger Zelazny
The Collected Stories of Roger Zelazny
18 books in catalog
The blending of ancient mythology, modern technology, and speculative fiction reshaped mid-twentieth-century fantasy and science fiction, most prominently in epic works like Nine Princes in Amber and Lord of Light. Roger Zelazny emerged as a prominent voice in science fiction's New Wave movement during the 1960s, producing over 150 short stories and 50 books that explored the human and social implications of technological and cultural change.
Across a writing career spanning more than three decades, his fiction captured major literary honors, including three Nebula Awards and six Hugo Awards. His celebrated novels and short fiction established innovative approaches to mythic tropes and cross-genre storytelling that continue to introduce readers to expansive fantasy worlds.
Born on May 13, 1937, in Euclid, Ohio, to Joseph Frank Zelazny and Josephine Flora Sweet, he served as the editor of his high school newspaper before pursuing higher education. He earned a Bachelor of Arts degree from Western Reserve University in 1959 and a Master of Arts degree from Columbia University in 1962. Before dedicating himself entirely to creative writing in 1969, he worked as a claims representative and policy specialist for the U.S. Social Security Administration in Cleveland, Ohio, and Baltimore, Maryland.
His early publications in the 1960s coincided with the New Wave movement in science fiction, where writers moved away from technological optimism to examine psychological, philosophical, and social themes. His early serialized novel ...And Call Me Conrad, published in book form as This Immortal, won a Hugo Award for Best Novel, followed shortly by another Hugo Award for his novel Lord of Light. He continued writing full-time from Santa Fe, New Mexico, until his death on June 14, 1995.
A defining characteristic of his literary output is the integration of diverse mythologies and religious traditions into speculative settings. Novels such as Lord of Light draw directly upon Hindu and Buddhist pantheons, recasting deities as human beings utilizing advanced technology. His narratives frequently feature complex antiheroes, immortal or godlike figures, and fast-paced dialogue influenced by hard-boiled detective fiction.
In addition to long-form fiction, he made significant contributions to short fiction, publishing stories such as A Rose for Ecclesiastes and For a Breath I Tarry. His later works, including Doorways in the Sand, Jack of Shadows, and A Night in the Lonesome October, demonstrated his versatility across science fiction, urban fantasy, and horror-inflected comedy.
18 books in catalog
The blending of ancient mythology, modern technology, and speculative fiction reshaped mid-twentieth-century fantasy and science fiction, most prominently in epic works like Nine Princes in Amber and Lord of Light. Roger Zelazny emerged as a prominent voice in science fiction's New Wave movement during the 1960s, producing over 150 short stories and 50 books that explored the human and social implications of technological and cultural change.
Across a writing career spanning more than three decades, his fiction captured major literary honors, including three Nebula Awards and six Hugo Awards. His celebrated novels and short fiction established innovative approaches to mythic tropes and cross-genre storytelling that continue to introduce readers to expansive fantasy worlds.
Born on May 13, 1937, in Euclid, Ohio, to Joseph Frank Zelazny and Josephine Flora Sweet, he served as the editor of his high school newspaper before pursuing higher education. He earned a Bachelor of Arts degree from Western Reserve University in 1959 and a Master of Arts degree from Columbia University in 1962. Before dedicating himself entirely to creative writing in 1969, he worked as a claims representative and policy specialist for the U.S. Social Security Administration in Cleveland, Ohio, and Baltimore, Maryland.
His early publications in the 1960s coincided with the New Wave movement in science fiction, where writers moved away from technological optimism to examine psychological, philosophical, and social themes. His early serialized novel ...And Call Me Conrad, published in book form as This Immortal, won a Hugo Award for Best Novel, followed shortly by another Hugo Award for his novel Lord of Light. He continued writing full-time from Santa Fe, New Mexico, until his death on June 14, 1995.
A defining characteristic of his literary output is the integration of diverse mythologies and religious traditions into speculative settings. Novels such as Lord of Light draw directly upon Hindu and Buddhist pantheons, recasting deities as human beings utilizing advanced technology. His narratives frequently feature complex antiheroes, immortal or godlike figures, and fast-paced dialogue influenced by hard-boiled detective fiction.
In addition to long-form fiction, he made significant contributions to short fiction, publishing stories such as A Rose for Ecclesiastes and For a Breath I Tarry. His later works, including Doorways in the Sand, Jack of Shadows, and A Night in the Lonesome October, demonstrated his versatility across science fiction, urban fantasy, and horror-inflected comedy.