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Het derde deel van de nieuwe, razend populaire serie van bestsellerauteur Sarah J. Maas Crescent City – een bruisende, moderne stad waar mensen en magische wezens op gespannen voet met elkaar samenleven. Bryce Quinlan had nooit verwacht een andere wereld te zien dan Midgard, maar nu ze die eenmaal heeft gezien, wil ze alleen nog maar terug naar huis. Alles waar ze van houdt is in Midgard: haar familie, haar vrienden, haar partner. Gestrand in een vreemde nieuwe wereld, zal ze al haar verstand nodig hebben om hier weer weg te komen. En dat is niet eenvoudig nu ze geen idee heeft wie ze kan vertrouwen. Hunt Athalar heeft zich nogal eens in de problemen gewerkt, maar dit is misschien wel het grootste probleem van allemaal. Na een paar korte maanden waarin al zijn dromen uitkwamen, zit hij weer in de kerkers van de Asteri, beroofd van zijn vrijheid en zonder enig idee van het lot van Bryce. Hij wil niets liever dan haar helpen, maar totdat hij aan de Asteri kan ontsnappen, zijn zijn handen letterlijk gebonden. In de pers ‘Wie begint kan niet meer stoppen met lezen. Deze wereld slokt je op en laat je niet meer los.’ The Guardian "...Bereid je voor op een avontuur dat je hart sneller doet kloppen en je verbeelding prikkelt..." *****Thrillzone.nl ‘Dit verhaal smaakt naar meer! Ik ben zo benieuwd wat Sarah J. Maas nog meer voor ons in petto heeft want ik kan niet genoeg krijgen van haar schrijfwerk!’ Hebban.nl ‘Epische fantasy in de stijl van In de ban van de ring en Game of Thrones.’ The Huffington Post
Het derde deel van de nieuwe, razend populaire serie van bestsellerauteur Sarah J. Maas Crescent City – een bruisende, moderne stad waar mensen en magische wezens op gespannen voet met elkaar samenleven. Bryce Quinlan had nooit verwacht een andere wereld te zien dan Midgard, maar nu ze die eenmaal heeft gezien, wil ze alleen nog maar terug naar huis. Alles waar ze van houdt is in Midgard: haar familie, haar vrienden, haar partner. Gestrand in een vreemde nieuwe wereld, zal ze al haar verstand nodig hebben om hier weer weg te komen. En dat is niet eenvoudig nu ze geen idee heeft wie ze kan vertrouwen. Hunt Athalar heeft zich nogal eens in de problemen gewerkt, maar dit is misschien wel het grootste probleem van allemaal. Na een paar korte maanden waarin al zijn dromen uitkwamen, zit hij weer in de kerkers van de Asteri, beroofd van zijn vrijheid en zonder enig idee van het lot van Bryce. Hij wil niets liever dan haar helpen, maar totdat hij aan de Asteri kan ontsnappen, zijn zijn handen letterlijk gebonden. In de pers ‘Wie begint kan niet meer stoppen met lezen. Deze wereld slokt je op en laat je niet meer los.’ The Guardian "...Bereid je voor op een avontuur dat je hart sneller doet kloppen en je verbeelding prikkelt..." *****Thrillzone.nl ‘Dit verhaal smaakt naar meer! Ik ben zo benieuwd wat Sarah J. Maas nog meer voor ons in petto heeft want ik kan niet genoeg krijgen van haar schrijfwerk!’ Hebban.nl ‘Epische fantasy in de stijl van In de ban van de ring en Game of Thrones.’ The Huffington Post
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24 books in catalog
The blending of high-stakes political intrigue, expansive world-building, and deep romantic storylines has reshaped modern fantasy publishing across both young adult and adult categories. Sarah J. Maas has established a central presence in epic fantasy literature through multi-book sagas that have sold over 75 million copies globally in forty languages. Beginning as an online serial written during her teenage years, her body of work has cultivated a massive international audience and helped bring romantic fantasy into the forefront of contemporary commercial fiction.
Born in New York City in 1986, Sarah J. Maas began her writing career at age sixteen by posting Queen of Glass, a fantasy reimagining of Cinderella, on the creative writing community FictionPress. The digital serial gained a large internet following prior to its acquisition for traditional publishing. Maas attended Hamilton College in Clinton, New York, where she majored in creative writing and minored in religious studies, graduating Magna Cum Laude in 2008. Her academic focus on mythology, theology, and ancient narrative traditions provided the foundation for the elaborate world-building and pantheons featured throughout her fantasy realms. Her debut novel, Throne of Glass, was published in 2012 by Bloomsbury, expanding her early draft into an eight-volume high fantasy epic centered on the assassin Celaena Sardothien.
Following the publication of Throne of Glass, Maas expanded her bibliographies with A Court of Thorns and Roses, which debuted in 2015 as a narrative inspired by Beauty and the Beast before growing into a multi-realm Fae saga. Her career subsequently marked a formal transition into the adult fantasy market with House of Earth and Blood, the first installment in her Crescent City series. By bridging young adult, new adult, and adult literature, her published works illustrate how grassroots digital writing can evolve into major global publishing successes while broadening the scope of character-driven epic fantasy.
The writing style of Sarah J. Maas relies heavily on the subversion of classical folklore, developing early inspirations like Cinderella and Beauty and the Beast into extensive, original mythologies. Her prose emphasizes character-driven development, utilizing high-concept magic systems as the background for personal psychological journeys. Rather than prioritizing only external military conflicts, her narrative arcs highlight the emotional weight of war, political upheaval, trauma, and sacrifice, grounding epic plot points in relatable human experiences.
Prominent thematic elements across her books include the reclamation of identity and autonomy after severe trauma, the importance of complex female friendships, and the formation of resilient 'found family' bonds. Her protagonists regularly navigate moral dilemmas, balancing personal desires against the burdens of leadership, power, and survival. Through intricate plot architecture that connects individual stories across sprawling series, her storytelling emphasizes female agency, psychological recovery, and self-actualization within high-stakes fantasy settings.
24 books in catalog
The blending of high-stakes political intrigue, expansive world-building, and deep romantic storylines has reshaped modern fantasy publishing across both young adult and adult categories. Sarah J. Maas has established a central presence in epic fantasy literature through multi-book sagas that have sold over 75 million copies globally in forty languages. Beginning as an online serial written during her teenage years, her body of work has cultivated a massive international audience and helped bring romantic fantasy into the forefront of contemporary commercial fiction.
Born in New York City in 1986, Sarah J. Maas began her writing career at age sixteen by posting Queen of Glass, a fantasy reimagining of Cinderella, on the creative writing community FictionPress. The digital serial gained a large internet following prior to its acquisition for traditional publishing. Maas attended Hamilton College in Clinton, New York, where she majored in creative writing and minored in religious studies, graduating Magna Cum Laude in 2008. Her academic focus on mythology, theology, and ancient narrative traditions provided the foundation for the elaborate world-building and pantheons featured throughout her fantasy realms. Her debut novel, Throne of Glass, was published in 2012 by Bloomsbury, expanding her early draft into an eight-volume high fantasy epic centered on the assassin Celaena Sardothien.
Following the publication of Throne of Glass, Maas expanded her bibliographies with A Court of Thorns and Roses, which debuted in 2015 as a narrative inspired by Beauty and the Beast before growing into a multi-realm Fae saga. Her career subsequently marked a formal transition into the adult fantasy market with House of Earth and Blood, the first installment in her Crescent City series. By bridging young adult, new adult, and adult literature, her published works illustrate how grassroots digital writing can evolve into major global publishing successes while broadening the scope of character-driven epic fantasy.
The writing style of Sarah J. Maas relies heavily on the subversion of classical folklore, developing early inspirations like Cinderella and Beauty and the Beast into extensive, original mythologies. Her prose emphasizes character-driven development, utilizing high-concept magic systems as the background for personal psychological journeys. Rather than prioritizing only external military conflicts, her narrative arcs highlight the emotional weight of war, political upheaval, trauma, and sacrifice, grounding epic plot points in relatable human experiences.
Prominent thematic elements across her books include the reclamation of identity and autonomy after severe trauma, the importance of complex female friendships, and the formation of resilient 'found family' bonds. Her protagonists regularly navigate moral dilemmas, balancing personal desires against the burdens of leadership, power, and survival. Through intricate plot architecture that connects individual stories across sprawling series, her storytelling emphasizes female agency, psychological recovery, and self-actualization within high-stakes fantasy settings.
Crescent City
Crescent City